Baby Boy Quotes I Lie to You Because

There'due south this psychiatrist...a lady named Dr. Frances Cress Welsing. She has a theory about the black human being in America. She says that because of the system of racism, the black man has been fabricated to think of himself as a baby...a not yet fully formed human beingness who has non realized his full potential. To support her claim, she offers the post-obit: Kickoff...what does a blackness man call his adult female? Momma. 2nd, what does a black man call his closest acquaintances? His boys. And finally, what does a blackness homo telephone call his place of residence? The crib.

— Opening narration

Baby Boy is a 2001 film directed by John Singleton equally a sort of follow-upwardly to his nail Boyz n the Hood, and while information technology wasn't every bit acclaimed, it still received more often than not positive reviews.

The movie concerns Joseph "Jody" Summers (Tyrese Gibson), a young, selfish, immature black homo in South Central LA who wants to alive big but doesn't have a task. He's got ii children by two different women, Yvette (Taraji P. Henson) and Peanut (Tamara LaSeon Bass), and has been living with his mother Juanita (Adrienne-Joi Johnson) for several years. As Jody deals with the increasing pressures of adult responsibility, he as well contends with his troubled best friend Sweetpea (Omar Gooding) and new adversary Rodney (Snoop Dogg), Yvette's ex-boyfriend. So there'southward his mother's new live-in boyfriend Melvin (Ving Rhames), a well meaning reformed gangster who Jody openly disrespects and ridicules. Melvin agrees with Juanita that her son should grow upwardly, move out, and move on.

Tupac Shakur's "Hail Mary" plays in i scene and he was set to star in the movie earlier his murder.

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Tropes:

• Abortion Fallout Drama: In the first post-credits scene, Yvette aborts what would accept been her 2d child with Jody. She has sympathy on her side, however, since she's heartbroken over the procedure and her boyfriend Jody is an irresponsible jerkass who has a kid with another woman.
• Arc Words: Doubles as a Title Driblet. Several characters (namely Sweetpea and Melvin) refer to Jody every bit "baby male child", a not-besides-subtle reference to Jody's immaturity and refusal to grow up, likening him to a child. He also listens to the song "Just a Baby Boy" by Snoop Dogg, Tyrese, and Mr. Tan while in the machine with his son Jojo.
• Asshole Victim: Rodney.
• Existence Evil Sucks: This is how Sweetpea feels, which is the reason why he chose to get baptized.
• Bowdlerization: The BET edit of the film is rather infamous for its shoddy and often hilarious attempts at making the moving-picture show more than cablevision television friendly. This makes for some rather... interesting substitutes such equally "Damn that brotha!", for case.
• Coming-of-Historic period Story: In a mode, yeah, only the protagonist is xx years old.
• Driven to Suicide: Later Jody witnesses Sweetpea kill Rodney, he goes back to his business firm where he contemplates shooting himself. Melvin enters his room and wordlessly takes his gun away from him.
• Even Evil Has Standards: Rodney attempts to rape Yvette, merely Jojo catches them in the human action and badly begs for him to exit his mother solitary. Realizing that this will upset/traumatize the kid, he begrudgingly stops and leaves the room.
• Foreshadowing: Pea's character arc and epiphany is started and hinted at, respectively, as early as the "Guns and Butter" scene. While Jody's back is faced towards Melvin and he clearly isn't interested in what he has to say, Melvin is facing towards Sweetpea, who seems to exist genuinely moved by his speech.
• Glass Cannon: The "little gangsters" that jumped Jody earlier start crying once Sweet Pea punches each of them in the jaw afterward. He also gives Looney Toon a spanking with his belt, while some other cries most his jaw hurting later on Jody punches him.
• Skilful People Have Good Sex: Melvin, despite almost appearances, is a pretty adept dude who treats Jody'southward mom very well...and bones her well also, if the "African Squat" scene is anything to get past
• Envy Monster: The whole love triangle is guilty of this. Jody believes that Yvette is replacing him with Rodney now that he's out of jail and in her apartment (uninvited). Yvette is incredibly insecure and paranoid since Jody regularly cheats with other women behind her dorsum, fifty-fifty having a daughter from another relationship, which makes her overanalyze just about anything Jody does or says he'due south going to exercise, believing he's banging some other girl. Rodney apace gets bad blood with Jody once he bickers with Jody over the phone, even prior to the events of the movie equally he heard that Jody hooked up with Yvette as he was locked upwardly, even having a infant by her.
• Hollywood California: Specifically, Leimert Park.
• Hypocrite: Subverted with Jody. While at almost the midpoint of the movie, Jody has stopped adulterous, even turning downward advances from other women, Jody'south reaction towards the implication that Yvette is cheating on him with Rodney is paradoxical because all of the times Jody has cheated on her.
• Immodest Orgasm: The sex scenes in this movie are rather... loud.
• Jerkass: Jody has his moments early, every bit does Melvin, but Rodney is a better example as the picture'southward villain figure.
• Jerkass Has a Point: Subverted with Jody, equally he sees Jojo in the house with Rodney and his goons, smoking, drinking, and neglecting him, and gets particularly upset with Yvette. Notwithstanding, Rodney forced his way into the apartment, which Yvette repeatedly attempts to stop.
  • Melvin, while sometimes conspicuously trying to mess with Jody, is entirely justified for wanting Jody to finally grow up, as he is unemployed, doesn't have his own automobile, has two children, is constantly sleeping around, and continuously acts condescending towards Melvin for the crime of being his mother'southward new beau.
  • Rodney also uses a few of these points to humiliate Jody and convince Yvette to exit him.
• Wiggle with a Heart of Gold: Melvin and Sweet Pea. Sweet Pea may be a tearing hothead but he and Jody are as close as brothers and volition stand up by him to the bitter end. Meanwhile, Melvin is madly in love with Juanita and wants to make her happy. He genuinely cares for Jody, in spite of their dysfunctional human relationship, and tries to offering him real world advice in hopes of inspiring Jody to finally grow up.
• Karma Houdini: Jody and Sweet Pea turn off the power to Yvette's apartment while Rodney is alone inside and deadfall him when he comes out to check it, ultimately gunning him downward in the streets. Information technology's implied that Yvette was in on this scheme. None of them are shown facing any repercussions. The aforementioned goes for chirapsia up the trivial gangsters that jumped Jody, though in their case, they actually had that coming to them.
• Kick the Dog: Or more accurately, Kicking the Fort. Rodney kicks down his ex-girlfriend's son's pillow fort, to drive home that he is not at all a pleasant guy.
  • Jody kicking Yvette off his female parent'southward house porch, after she came to selection upward Jojo, in the pouring pelting, since he believes she left him to get dorsum with Rodney.
• Kick the Son of a Bitch: While Jody and Sweetness Pea punching out the piffling gangsters (as well every bit Pea whooping the remaining one with his chugalug) does seem quite extreme, they honestly had it coming to them afterwards they stole Jody'southward bike and liquor and jumped him early on on.
• Lean and Mean: Rodney. Kinda inevitable, considering he's played by Snoop Dogg.
• Manchild: Jody is xx years old, still lives with his mother, and doesn't accept a steady job or his own car. He constantly drives Yvette's auto.
• Momma'south Boy: Deconstructed. Juanita and Melvin both want Jody to grow upward and stop being selfish. They besides want him out of the firm. Heck, Jody even gets mocked for living with his mother.
• Mr. Fanservice: Jody and Melvin.
• Murder the Hypotenuse: Rodney repeatedly attempts to murder Jody over him hooking up with Yvette during his time in jail. Thankfully, he ends up being brutally murdered himself by Sweetpea.
• My God, What Have I Done?: Quite a few. Jody first has one of these subsequently he slaps Yvette during a heated argument that results in a brief breakup. Melvin has 1 as well, tardily in the film, after a tearing confrontation with Jody. Later on, he tearfully admits that it was a fault. Lastly, after Rodney is killed past Sweetpea in retaliation for his rape attempt on Yvette simply Jody is then overwhelmed with guilt and remorse that he attempts suicide. Luckily, Melvin catches him in the human activity and takes away his gun.
• No-Holds-Barred Beatdown: Sweetpea gives 1 of the teenage thugs who tried to rob Jody at the liquor store i of these... with his belt. Jody laughs at get-go merely upon realizing how cruel it actually is, he stops laughing and takes pity on the teen.
• Not What Information technology Looks Like: Jody comes to Yvette'due south apartment to pick up Jojo and sees Rodney and his goons lounging around, who then threaten him as he leaves. Considering this happens not too long later on he finds out that Yvette wrote and spoke to Rodney in prison, even asking for money from Jody to become her car repaired, Jody's reaction is pretty justified, but Rodney actually forced his fashion into the apartment and refuses to get out, especially with his new vendetta against Jody.
• Oedipus Complex: Lampshaded. Melvin suggests that Jody suffers from this, given his axiomatic resentment of Melvin's presence. The film makes it clear that Melvin is mostly right.
• Old Flame: Rodney is Yvette'southward ex-young man whom she left for Jody as he was locked up. He still has feelings for her and therefore takes up the initiative to force his way into her apartment once he'due south out and try to get rid of Jody.
• Only Known by Their Nickname: Sweet Pea. His real name is never revealed.
• Newspaper Tiger: Jody attempts to intimidate Melvin out of the house. Melvin's response, predictably, is to act like he'southward leaving, causing Jody to tell him to get out under his breath... then of a sudden put him in a chokehold. When Jody tries to summon his mother, Melvin proceeds to mock him and call him a "chocolate bitch".
• Rape as Drama: Late in the film, Rodney attempts to rape Yvette.
• Real Life Writes the Plot: Jody was originally going to be portrayed past Tupac Shakur, who was gunned down earlier the film moved beyond pre-production. As such, Tupac was posthumously included in the film (via family unit photos and a large wall painting in Jody'due south room) as Jody's deceased older brother. Being that he was murdered shortly later Juanita's onetime boyfriend kicked him out of the house, it serves equally major plot device for Jody's unwillingness to motility out himself and his antagonism toward Melvin.
• Real Men Cook: Jody is non pleased to encounter a fully naked Melvin in the kitchen, preparing breakfast for Juanita and drinking all the Kool-Aid.
• "The Reason You lot Suck" Spoken communication: Melvin gives i to Jody later on he shoved him and Melvin punched him.

  Melvin: I told that fiddling nigga, don't fuck with me, merely you wanna fuck with a nigga, right?! I tried to exist a skillful motherfuckin' nigga, only I can't exist 'cause lil' bowwow donkey niggas like y'all wanna fuck with me! You wanna fuck with a nigga, right?! You wanna nigga who got 2 strikes on him to become to jail for life, brotha, if that's what you want!

  Jody: Fuck it, I'm leaving, human!

  Melvin: Fuck no, no, I'm leaving! I tin't live like this!

• Dominion of Symbolism: Jody is constantly referred to as "infant boy", reflecting his immaturity for a man in his early 20s. Many of his behaviors such equally eating candy, watching cartoons, and his reliance and protectiveness over his mother are all typically seen equally infantile. He is also bald, not different a newborn baby. Finally, there'southward the very opening scene of Jody, completely naked, in a giant womb, being birthed by his mother.
  • Some people interpreted the ending scene as an analogy to childbirth. Jody, in a vulnerable, completely broken land, has to accept his gun slowly and advisedly taken from him by Melvin, who wraps information technology in a rag and cradles it in his arms.
• Scary Black Homo: Juanita's new boyfriend Melvin appears like this to Jody for much of the flick, simply in truth, he merely has the best intentions. Of grade, he is played by Ving Rhames.
  • Rodney is definitely this toward Yvette and her/Jody's son, and to a bottom extent, Jody himself.
• Shout-Out: Tupac Shakur was originally going to star every bit Jody, merely was infamously murdered before production got underway. The motion-picture show pays homage to him to referring to him as Jody'southward older (and murdered) brother Ray-Ray and having a huge mural of him in Jody'southward room as well as other family photos showing Tupac in this office.
• Suspiciously Apropos Music: Jody and Jojo listen to the vocal "But a Infant Boy" as they ride in the car near the beginning.
  • Melvin and Juanita dance to the vocal "Just To Keep Yous Satisfied" by Marvin Gaye, which plays over Jody kick Yvette off of the porch, equally he thinks Rodney opening upwardly shop in Yvette'southward house uninvited means she'south leaving him for a "real homo".
• Spiritual Successor: To Boyz n the Hood.
• Sweet Tooth: Jody is seen at the offset snacking on Lemonheads.
• Teen Pregnancy: Juanita had Jody while still a teenager.
• Wall Blindside Her: In an early scene, Melvin does this to Juanita... but speedily ends up irresolute to "the African Squat", in which he squat-hops across the room, while he's screwing her.
• Any Happened to the Mouse?: I of the immature thugs who jumps Jody at The Liqour Bank is non present when Jody and Sweetpea confront them in the park.

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Source: https://tvtropes.org/pmwiki/pmwiki.php/Film/BabyBoy

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